[Originally
published by Carpe Art Journal, October 2018.]
The elongated shadows of the houses on the opposite side of
the road fell on the cobble stones, as the sun sank in the horizon. The street
was empty, but she could hear children’s laughter mixed with the rhythmic sound
of a rope slapping against the concrete, and the gentle thud of feet on the
pavement. A soothing melody. Little light beings, full of joy, skipping solo
and in pairs. She imagined them, swapping places with the girls turning the
double dutch, as they practised, improving their skills.
As the sun set and the shadows melted into the street, she
moved from the window of her sewing room. Passing by the girls’ dresses
displayed on the mannequins, the seamstress headed to the kitchen. Time for
dinner. She opened the front door and whispered, “Daisy, come home.”
Twilight had enveloped the village. She hated this time of the
day. Neither dark, nor light. Gloom invaded her thoughts as she opened the
garden gate and viewed the street. She could see Daisy’s shadow against the far
wall. Her braided pigtails swinging up and down, she soared into the air like a
fairy. A silhouette etched in her mind, Daisy frozen in mid-air, singing a
song.
She blinked and returned inside. Sitting at the kitchen table,
she stared at a small plate and a colourful tumbler set out for her
child. The seamstress sighed, and though she had no appetite, forked her dinner
while concentrating on the deliveries for the next day. After clearing the
table and the dishes, she returned to the sewing room to scrutinize her work.
Pretty dresses for girls, between the ages of 5 and 12.
Children no longer jumped rope in the streets, played hopscotch or
hide-and-seek, but some families still valued handmade frocks, despite the changing
fashion trends in the ready-to-wear industry. Her work was expensive, but
special, and people were willing to pay. Some insisted on ordering tailor-made
outfits for teenagers, but she declined. She could not imagine Daisy as a young
adult. Even the dresses for the ages between 10-12 were a challenge, though she
took a pragmatic approach as she needed the money. Her only income since her
husband had left her.
Twenty years earlier, on this very day, Daisy had not returned
home after playing with her friends, around the corner.
In panic, she had looked for her everywhere, knocking on the
doors of Daisy’s friends, and searched the entire area with the help of
neighbours. Finally, at the police station, tears streaming down her face, she
had reported her missing, and begged the authorities to find Daisy. No one had
seen or heard anything. She had simply vanished.
She’d spent that night, sitting on the cold steps of her front
porch, waiting, hoping, and praying for the phone to ring.
Days rolled into months, and the search continuing for
years, the file was eventually classified as a cold case. Grief, guilt,
hope, despair, and accusations from her husband for being an irresponsible
mother, obsessed with sewing, led her to depression. She became a shadow of herself
until he finally left and divorced her.
One night Daisy visited her in her dream and asked for a pink
dress with a fluffy skirt. “Just a ballerina’s,” she said.
That was how she’d returned to life, making dresses for Daisy,
those she’d love to wear.
Daisy would have been twenty-five-years-old today.
Sebnem E. Sanders is a native of Istanbul,
Turkey. Currently she lives on the eastern shores of the Southern Aegean where
she dreams and writes Flash Fiction and Flash Poesy, as well as longer works of
fiction. Her flash stories have appeared in the Harper Collins Authonomy Blog, The Drabble, Sick
Lit Magazine,
Twisted Sister
Lit Mag, Spelk Fiction, The
Bosphorus Review of Books,
Three Drops from the Cauldron, The Rye Whiskey Review,
CarpeArte
Journal,
Yellow Mama
Webzine,
Punk Noir
Magazine, Flash Fiction Offensive,
and The Cabinet of
Heed,
as well as two anthologies: Paws
and Claws
and One Million
Project Thriller Anthology.
She has a completed manuscript, The Child of Heaven
and two works in progress, The
Child of Passion
and The Lost Child. Her collection of short
and flash fiction stories, Ripples
on the Pond,
was published in December 2017. More information can be found at her website
where she publishes some of her work:
https://sebnemsanders.wordpress.com/
https://www.amazon.com/Ripples-Pond-Sebnem-Sanders-ebook/dp/B077XCK3SD
What a sad but eloquently told tale.
ReplyDeleteLoved it.
Hey, Ron! Thanks for reading!
DeleteThank you very much, Ron! :)
Delete